I'm finally getting to write a review on Eminem's 8th solo
album. Eminem was one of the first rappers I ever listened too, and he made
fall in love with hiphop. The way he uses imagery to tell stories and show off
his lyrical prowess really makes him one of the best rappers ever. MMLP 2 definitely
does have a mainstream sound to it. It shows Eminem trying out new things, and
revisiting old memories.
The first
song, Bad Guy, shows Shady playing as the younger brother of Stan. The guy who
was obsessed with Eminem, which drove him to kill himself and his girlfriend? Ya,
Eminem masterfully tells the story of Matthew taking revenge on Eminem for the
death of Stan. The last verse of the song is probably one of the best Eminem
verses ever.
Skipping to
Rhyme Or Reason, this track shows Eminem spitting amazing wordplay and
multisyllabic patterns over a Rick Rubin produced instrumental. I love the
sample of using Time Of The Season by The Zombies. Classic rock samples are
dope! Eminem even goes after his father on this song.
So Much
Better is a song that flips the beat from Criminal, which was on MMLP. Eminem
compares the rap game to a woman who is cheating on him with other artists.
Above and beyond wordplay, as usual.
The song in
the Call of Duty trailers, Survival, is a braggadocios song from Mr. Mathers.
Liz Rodrigues contributes a haunting hook, which really complements Eminem’s
fast flow.
Legacy
shows Eminem reminiscing about his past thoughts and accepting that he is great
at what he does. Each verse represents a different part of Eminem’s childhood
and teenage life, with the last verse reflecting his present life. He also uses
the same rhyme pattern throughout the song. The message of this song is
basically the epitomy of the MMLP2. Amazing.
Asshole is
an extremely sarcastic song. Em basically talks about how much hate receives,
and how some people still consider him an “asshole”. Over a very synth driven
instrumental from Alex Da Kid, Em absolutely destroys the beat.
If you
watch college football, then chances you have heard this song many times. This
has Rick Rubin written all over the beat, because of that throwback feel. The
Billy Squier sample is on point, and Eminem goes “Berzerk”.
And now we
finally come to the best track on the whole album: Rap God. Whether Em thinks
of himself as a God or not, this song goes off! With probably a gajillion
hiphop references, from Busta Rhymes’s New School rap group to the Ray J and
Fabo beef, this song has everything. Another mainstream-type of beat.
Brainless
is another song that has vintage Slim to it. He covers how he was bullied in
high school. This song definitely has a scary vibe to it with all the serial
killer references. Marshall also adds a lot of dark humor with this track.
Stronger
Than I Was was a weird track when I first heard it. I mean Eminem is singing
like 2/3rd’s of the song. It might be weird, but this song is
actually a response to Em;s violent tirade “Kim” which was on the MMLP. This
song is written from Kim Mather’s perspective. This song has a cool meaning,
but I’m really into all the singing.
The Monster
is obviously the radio hit of the album, because of the RiRi hook. This is a
very emotional, and personal track from Em.
So Far is
another Rick Rubin produced track that uses a classic rock sample. This time
around, Life’s Been Good by Joe Walsh is the sample. Eminem talks about how he
will never forget his roots in Detroit. He honestly sounds really old when
starts talking about how he doesn’t know how to use Facebook and smartphones.
It makes me chuckle every time I hear those lines.
Finally we
hear a collab between Kendrick and Eminem. This song is the second song on this
album that personifies hiphop as a woman. The sample is Game Of Love by Wayne
Fontana and The Mindbenders. This song is one of those feel-good songs. Amazing
verses from both kings of hiphop.
Headlights
is an unexpected apology to his mother, Debbie Mathers. All those horrific
things Marshall said to his mother in many songs are all wiped out with
hearfelt song.
What a
finale to a great album. Eminem trades lines with his alter ego, Slim Shady on
this nightmarish track. He takes out many people in Shady fashion. This song is
also the return of violent fantasies that Marshall is known for.
In the end,
Eminem still shows that he is one of the best rappers. This album received a
lot of criticism because it too mainstream, and it is his most mainstream album
sonically, but being mainstream doesn’t mean it is bad. The Marshall Mathers LP
2 is truly an amazing album, and it shows that Eminem is here to stay. (4 out
of 5 stars)

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