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Monday, March 3, 2014

Album Review: Mastermind by Rick Ross

            Rick Ross’s Mastermind album has finally come out. I have to say it was the most anticipated album for me. Ross always has been one of my favorite rappers of all time. He is very versatile when it comes to his verses, and his albums always find a type of balance to them. I had very high expectations for Mastermind, and Ross delivered, but not completely.
            The first track, Rich Is Gangsta really set the mood for the album. The soulful side at least. Black Metaphor flips an amazing sample “Soul Searching” by Average White Band, and Ross proclaims how “rich is gangsta”. And amazing intro.
            Ross goes to a trap beat for his next, which surprisingly is produced by Jake One. This epic track is also pretty touching when he gives shoutouts to all his dawgs that have been killed.
            Rozay follows “Drug Dealers Dream” with a skit about the shooting that took place last year on his car. Never been a big fan of skits, but this skit is a major theme throughout the album.
            Nobody is basically a remake of Biggie’s hit, “You’re Nobody (Till Somebody Kills You)”. I wish the track wasn’t just a remake, but Ross honestly does his thing. Thankfully French doesn’t have a verse, Puffy is just Puffy. “You wanna walk around with them or you wanna walk with God, nigga?”-real talk
            Devil Is A Lie was the first single off Mastermind, and I still listen to it to this day. This song is simply one of the dopest songs Ross has ever made, and Hov is the cherry on top. That sample tho…
            Mafia Music III shows Ricky going Jamaican, and he brings along dancehall artists Mavado and Sizzla, to truly bring that vibe. Ross delivers a lengthy verse, laden with many metaphors explaining how he has a don. Not one of my favorite tracks off the album.
            War Ready is the “is the anthem the streets been waiting for”, and this track was also the second single on Mastermind. MikeWill cooks up a bass led, gunshot laced beat. Ross and Jeezy have verses filled with gangsta references. This definitely is one of the most turnt tracks on the album.
            A lot of this album is homage to 90’s hiphop, and “What A Shame” is one of those tracks. Ross starts with saying a line from “Shame On A Nigga” by Wu Tang Clan, and proceeds to rap about his cars and weed.
            Now we get to probably my favorite track on the whole album. Scott Storch is back, and provides a horn led beat that Ross destroys. His flow on this track reminds me of old school Ross, and it is incredible. This track bumps, and features Keith Sweat-what a combination.
            BLK & WHT is a storytelling track about drug dealing. This D Rich produced banger contains the controversial Trayvon Martin lyric(his explanation of this lyric was not the best). This track is like any other Ross track.
            Another skit, and we are at “In Vein” featuring The Weeknd. This track is basically about getting drunk. The real standout in this track is the beat-really atmospheric.
            Sanctified, I would say, was the most anticipated track on the LP. The beat is produced by Mr. West, Travis $cott, and DJ Mustard. Kanye goes off here. He touches on his recent rants, how he is a god, and of course his woman. Sean handles the chorus and hook, and Rozay provides an alright verse. The beat is fire though, because of how it crescendos on each verse.
            God flow right here. I mean the song is called, Walkin On Air. Another D Rich produced anthem, and Meek has to be featured on it. This goes hard, but this sounds like a regular mixtape cut.
            This next song is magnificent. J.U.S.T.I.C.E. League flip the same sample used in 93 Till Infinity by Souls Of Mischief(one of my fav hiphop samples-jazz and hiphop what can go wrong?). Weezy actually has the best verse on this song, which makes me have high hopes for the Carter V. Great ending to an ok album.
            Man…I wish more of the album was like Thug Cry, Supreme, and Rich Is Gangsta. The LP was good, but not to my expectations. He shows balance, but not enough lyricism for me. (3.5 out of 5 stars)     

            

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